How to stop being invisible and build press-ready visuals with the tools you have. At Goathead, we review a high volume of artist submissions every week. Some arrive with incredibly well-executed photos, set-designs, edits and VFX, that immediately communicate identity, intent, and branding. Those artists understand that visuals are part of outreach. They are already speaking the industry’s language. But we also receive many submissions from faceless artists. Selfies. No clea

A soulful holiday single where deep vocals, honest production, and gentle choirs turn togetherness into the true meaning of Christmas. Ashon Galaxy © 2025 Ashon Galaxy’s Christmas With You  feels less a seasonal single built for rotation and an intimate love ballad he performed for you, and its performance captured at the right moment. From the opening seconds, the warm Wurlitzer chorus chords and softly chiming sleigh bells set a nostalgic tone that is immediately familiar

Yolisa craft an ethereal, cinematic electronic journey where motion, atmosphere, and restraint guide the listener across shifting dimensions. Yolisa © 2025 “Lydia’s Theme” by Yolisa, produced by Elisa Härmä, a talented Finnish producer unfolds like a slow ignition rather than a sudden release. The track is built on a carefully layered synth architecture where sawtooth waves, arpeggiated patterns, and sidechained dynamics breathe and contract in cycles. Nothing feels static.

Where The Eighty Six Seas let absence, memory, and melody finish the story Nick Stevens / The Eighty Six Seas © 2025 "Frames,” the closing track from Scenes From an Art Heist  by The Eighty Six Seas, is where the album exhales. It is the quietest room in the museum and somehow the one that echoes the longest. Throughout Scenes From an Art Heist , Nick Stevens positions The Eighty Six Seas as more than a band. It functions as a storytelling vehicle. Inspired by the 1990 Isabel

Moses transforms trauma into testimony, pairing brutal lyrics with the calm resolve of an ancient folk tradition. Moses ©️ 2025 - Photo Courtesy By Michael Onischuk “Confessional” is a song by Moses, striking a contradiction, almost done on purpose. The music is gentle, almost pastoral. An acoustic four note arpeggio carries the song forward while harp lines drift in like echoes from another century. There is a medieval folk quality to the arrangement, restrained and ceremon